Hilma af Klint What Stands Behind the Flowers Patrice Allain Voici le temps de la

Voici le temps de la désaffection d’un grand vecteur communicationnel né au commencement de la modernité industrielle

Hamed Khosravi ausculte l’ancienne plateforme Fort Roughs dont le potentiel libertaire s’avère inversement proportionnel à sa surface habitable

The source material for Raided is operational photography and footage produced by Ukrainian law enforcement agencies and published in open sources

des piscines inondées de terres craquelées et acidulées

de façon spectaculaire

Hilma af Klint What Stands Behind the Flowers Patrice Allain Voici le temps de laIn April 1919, the Swedish artist Hilma af Klint ventured outside her studio to draw the first blossoms of spring. Having spent the previous decade creating an epic series of paintings filled with vivid geometric and organic formsamong that eras earliest explorations of abstractionshe was now embarking on a project rooted in study of the natural world. I will try, she declared, to grasp the flowers of the earth. The resulting watercolors, af Klints